Innocence Interrupted. 2026; j.a.Molina
16 x 20 inches (framed) Edition of 12
Archival pigment print

 

This piece began as a reflection on what it means to belong within a nation that simultaneously promises protection and practices exclusion. The American flag becomes both backdrop and tension, a symbol of identity layered with contradiction.

The child figure represents me, and the many children who grow up navigating overlapping cultures, languages, and expectations. She carries the complexity of loving this country while learning where it does not always love her back. The repeated protest language refuses silence, it names what has too often been softened or ignored.

The small dog is Picasso, my companion of seventeen years and a witness to every version of my adulthood. His act of peeing on melting ice is intentional, irreverent and protective. It is a refusal to revere systems that cause harm. The melting surface suggests fragility, the instability of institutions that present themselves as immovable.

I grew up loving this country while recognizing where it did not extend that love equally. I learned to love myself louder. To use my voice when others are punished for using theirs. This work lives in that realization, where broken systems are named for what they are, and where accountability is no longer negotiable.